STYLE: Lyrical Landcape

MEDIUM: Painting

YEAR: 2022

READY TO HANG: Yes

FRAME: This series of nine paintings is the first work where I have made stretchers myself. The frames are 3ft x 3ft (96cm square) making a 9ft square of all the images together. The focus of the project was to observe my surroundings and consider the ever-changing world. These observations focused upon nature and the sky. Furthermore, the project also considered the several changes occurring in our societies, countries and the planet. I like to think that hope and positive change can be provided through arts and colour. Additionally, I have long been fascinated by, The Overview Effect, ’an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it.’ (Planetary Collective, 2012).

SIGNED: to be signed

MATERIALS: This series of nine works, created on unprimed ‘denim’ canvas, which I think is akin to a coarse, 12oz cotton duck. The work began with acrylic washes. However, I continually explore different methods of using paints, whether I paint on canvas, paper or cardboard. While considering colour in lyrical and abstract work I also observe the relationship to feeling and expression and here I have created series that flow as part of one larger piece using techniques such as pouring, throwing, and splashing paint.

STYLE: Lyrical Landcape

MEDIUM: Painting

YEAR: 2022

READY TO HANG: Yes

FRAME: This series of nine paintings is the first work where I have made stretchers myself. The frames are 3ft x 3ft (96cm square) making a 9ft square of all the images together. The focus of the project was to observe my surroundings and consider the ever-changing world. These observations focused upon nature and the sky. Furthermore, the project also considered the several changes occurring in our societies, countries and the planet. I like to think that hope and positive change can be provided through arts and colour. Additionally, I have long been fascinated by, The Overview Effect, ’an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it.’ (Planetary Collective, 2012).

MATERIALS: This series of nine works, created on unprimed ‘denim’ canvas, which I think is akin to a coarse, 12oz cotton duck. The work began with acrylic washes. However, I continually explore different methods of using paints, whether I paint on canvas, paper or cardboard. While considering colour in lyrical and abstract work I also observe the relationship to feeling and expression and here I have created series that flow as part of one larger piece using techniques such as pouring, throwing, and splashing paint. This series of nine works, created on unprimed ‘denim’ canvas, which I think is akin to a coarse, 12oz cotton duck. The work began with acrylic washes. However, I continually explore different methods of using paints, whether I paint on canvas, paper or cardboard. While considering colour in lyrical and abstract work I also observe the relationship to feeling and expression and here I have created series that flow as part of one larger piece using techniques such as pouring, throwing, and splashing paint.

STYLE: Lyrical Landcape

MEDIUM: Painting

YEAR: 2022

READY TO HANG: Yes

FRAME: This series of nine paintings is the first work where I have made stretchers myself. The frames are 3ft x 3ft (96cm square) making a 9ft square of all the images together. The focus of the project was to observe my surroundings and consider the ever-changing world. These observations focused upon nature and the sky. Furthermore, the project also considered the several changes occurring in our societies, countries and the planet. I like to think that hope and positive change can be provided through arts and colour. Additionally, I have long been fascinated by, The Overview Effect, ’an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it.’ (Planetary Collective, 2012).

MATERIALS: This series of nine works, created on unprimed ‘denim’ canvas, which I think is akin to a coarse, 12oz cotton duck. The work began with acrylic washes. However, I continually explore different methods of using paints, whether I paint on canvas, paper or cardboard. While considering colour in lyrical and abstract work I also observe the relationship to feeling and expression and here I have created series that flow as part of one larger piece using techniques such as pouring, throwing, and splashing paint.